Maldives 50 Rufiyaa Polymer Banknote 2015
Obverse: Underprint of stone carvings in the Male Friday Mosque (Hukuru Miskiy); denomination as registration device; men pulling boats from the beach onto the water (Dhoni beylun); seated boy reciting the Holy Quran.
Reverse (Vertical): The minaret of the Male Friday Mosque (Hukuru Miskiy).
Face value: 50 Maldivian rufiyaa.
Theme: Maldives' unity and Islamic values.
Size: 150 x 70 mm
Colour of note: Green - Green, being the secondary colour on our national flag, symbolises peace, progress and prosperity. It is also used to depict our one hundred percent Muslim population.
The notes carry the signature of governor Dr Azeema Adam making it the first time in Maldives' history a woman had signed currency notes.
Printer: De La Rue, London (England) - DLR
Maldives New Family of Polymer Banknotes
Maldives Monetary Authority 2015 Issue (2016)
Maldives new currency series, called ”Ran dhiha faheh” (the golden five decades). “Ran dhiha faheh” currency series includes MVR 10, 20, 50, 100, 500 and the brand new MVR 1000. The series also introduced MVR 5 as coins instead of the current cash note. The series was designed by local designer Abdulla Nashath.
Maldives central bank said “Ran dhiha faheh” series is printed on polymer paper and are state-of-the-art, impossible to counterfeit. Maldives Monetary authority (MMA) also said each note has been given a distinct topic and a representative colour for ease of use. The series as a whole attempts to encapsulate all the innate factors that define our country, and our ancestral identity, MMA said.
Male Friday Mosque
The Malé Friday Mosque or the Malé Hukuru Miskiy is one of the oldest and most ornate mosques in the city of Malé, Kaafu Atoll, Maldives. Coral boulders of the genus Porites, found throughout the archipelago, are the basic materials used for construction of this and other mosques in the country because of its suitability. Although the coral is soft and easily cut to size when wet, it makes sturdy building blocks when dry. The mosque was added to the tentative UNESCO World Heritage cultural list in 2008 as unique examples of sea-culture architecture.
The mosque is opposite the Medhu Ziyarat and the Muleeage in Malé. The Medhu Ziyarat is the tomb of the Persian Adul Barakat Yusuf, who led the 1153 conversion of the Maldives to Islam. It is adjacent to the Muleeage, the residence of the president of the Maldives.
The mosque was built in 1658, during the reign of Ibrahim Iskandar I (1648–1687). It was built over an earlier mosque constructed in 1153 by the first Muslim Sultan of Maldives, Mohamed Bin Abdullah, after his conversion to Islam. Although the older mosque was reportedly refurbished by Ahmed Shihabuddeen in 1338, there are no written records attesting this. In 1656, Iskandar began building a new mosque when the old one became too small to accommodate the increasing number of devotees. Its construction, which took one-and-a-half years, was completed in 1658. Built primarily of coral, the mosque originally had a thatched roof (common during the period). After his 1668 Hajj, Ibrahim I began building a munnaaru (minaret) and a gate at the southern end of the mosque. The minaret, patterned on those at the entrance to Mecca, is surrounded by a 17th-century cemetery with intricately-carved tombstones and mausoleums.
In 1904, Mohammed Shamsuddin III (1903–1934) replaced the thatched roof and southern gateway with corrugated-iron sheeting. Further renovations were made in 1963, converting the roof supports to teak wood and replacing the corrugated-iron sheeting with aluminium. In 1987 and 1988, an Indian team from the National Research Laboratory for Conservation of Cultural Property and the National Centre for Linguistic and Historical Research in Malé did conservation work on the mosque.
Maldives' oldest mosque, it has been in continuous use since it was built. The mosque was reportedly built over an ancient temple which predated Islam; the original temple faced the setting sun, rather than Mecca.
The Malé Friday Mosque is oriented west. Its prayer carpet is angled towards the mosque's northwest corner, so worshippers can face Mecca while they pray. Devotees enter the mosque from the Islamic Centre, climbing several marble steps leading to the mosque balcony. The prayer hall below has a burgundy-coloured carpet, patterned with images resembling hot-water bottles which demarcate spaces for the believers offering prayers. The carpet can accommodate 1,372 people if each devotee occupies one space. The mosque has a reported capacity of 10700 for Friday prayers.
It has intricate carvings, with inscriptions in Quranic script. The mosque, in a walled enclosure, is made of interlocking coral blocks with its hypostyle roof supported by cut-coral columns. With three entrances, the mosque has two prayer halls surrounded by antechambers on three sides. Its vaulted, decorated ceiling is indented in steps. Local master carpenters, known as maavadikaleyge, fashioned the mosque's woodwork, roof and interior, and its wall panels and ceilings have many culturally-significant examples of traditional Maldivian woodcarving and lacquerwork. The mihrab, with a mimbar (pulpit) at one end, is a large chamber. The main building, used for daily prayers, is divided into three sections: the mihtab (used by the imam to lead the prayers), the medhu miskiy (the mosque's central area) and the fahu miskiy (the rear of the mosque). A long, carved 13th-century panel memorializes the introduction of Islam to Maldives.
The mosque's adjoining large, round blue-and-white minaret (built in 1675) resembles a wedding cake, with a wide base similar to a ship's funnel. Built of coral stones, it is braced with metal strips. The minaret is surrounded by a graveyard with carved coral tombstones distinguishing males, females, sultans and their families. Women's tombstones have rounded tops; men's have pointed tops, and inscriptions for royalty are gilt. For family members, small mausoleums with intricately-decorated stone walls were built.
This mosque and the other Maldives coral mosques were added to the cultural UNESCO World Heritage tentative list in 2008 for meeting criteria two (use of sea cultures for creating unique architecture), three (a historic cultural tradition with no parallel elsewhere in the world), four (the tongue-in-groove technique shows a highly developed building level for the period) and six (the buildings are associated with both religious and social practices of cultural significance). According to the UNESCO appraisal, "The architecture, construction and accompanying artistry of the mosque and its other structures represent the creative excellence and achievement of the Maldivian people".